Last edited by Nikozragore
Thursday, July 30, 2020 | History

1 edition of Experiencing film music found in the catalog.

Experiencing film music

Kenneth LaFave

Experiencing film music

a listener"s companion

by Kenneth LaFave

  • 222 Want to read
  • 7 Currently reading

Published .
Written in English

    Subjects:
  • Motion picture music,
  • History and criticism,
  • Analysis, appreciation

  • Edition Notes

    Includes bibliographical references (pages 177-178) and index.

    StatementKenneth LaFave
    SeriesThe listener"s companion, Listener"s companion
    Classifications
    LC ClassificationsML2075 .L32 2017
    The Physical Object
    Paginationxxii, 191 pages
    Number of Pages191
    ID Numbers
    Open LibraryOL26927967M
    ISBN 101442258411
    ISBN 109781442258419
    LC Control Number2016043501
    OCLC/WorldCa959080516

    In Experiencing Film Music: A Listener’s Companion, Kenneth LaFave guides the reader through the history, ideas, personalities, and visions that have shaped the music we hear on the big screen. Looking back to the music improvised for early silent movies, LaFave traces the development of the film score from such early epic masterpieces as Max. Karlin, Fred Listening to Movies: The Film Lover's Guide to Film Music (Hardcover, Wadsworth Pub Co; ) Beginners guide, an encyclopedia covering every aspect of film scores, including profiles of notable composers and their credits, discussion of basic aesthetic concepts, abundant illustrations, a review section, a discussion of the studio system vs. freelancing etc.

    Experiencing film music You are going to watch two different extracts from films which use music to different effects. Watch the extracts first, then try to answer the questions below. 1 What do you remember about the extract of film you just saw? Extract 1 Extract 2 2 Do you remember hearing any music? If so, what was the mood of the music you. LaFave explains that good film music should be “heard but not listened to” (73), but in the case of On the Waterfront, the music remains at the forefront of the movie; he observes that Bernstein’s music, while appropriate for opera, is not so for film, or at least, this film. LaFave notes that Bernstein’s Serenade is “the most widely.

    of film. Some of the activities introduce the film; others deepen the students’ connection to the film during viewing; while others solidify the learning through application experiences after studying the film. Experiencing Film is a resource for using film in experiential ways to teach content, concepts, and skills, to provide relevance, to meet.   Experiencing Music book. Read reviews from world’s largest community for readers. Vagn Holmboe [], was one of the most important composers of his /5(4).


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Experiencing film music by Kenneth LaFave Download PDF EPUB FB2

Experiencing Film Music: A Listener’s Companion opens the ears of film-goers to the nuance behind movie music, laying out in simple, non-technical language how composers and directors map what we hear to what we see—and, not uncommonly, back again.

Enter your mobile number or email address below and we'll send you a link to download the /5(2). In Experiencing Film Music: A Listener’s Companion, Kenneth LaFave guides the reader through the history, ideas, personalities, and visions that have shaped the music we hear on the big screen.

Looking back to the music improvised for early silent movies, LaFave traces the development of the film score from such early epic masterpieces as Max /5(2). Experiencing Film Music: A Listener’s Companion opens the ears of film-goers to the nuance behind movie music, laying out in simple, non-technical language how composers and directors map what we hear to what we see—and, not uncommonly, back again.

Composer LaFave tackles the history of film music in this noteworthy book. For many years Author: Kenneth Lafave. In this elegant and Experiencing film music book examination of the use of film scores throughout the history of cinema, composer and music writer LaFave (Experiencing Leonard Bernstein: A Listener’s Companion).

Experiencing Latin American Music draws on human experience as a point of departure for musical understanding. Students explore broad topics—identity, the body, religion, and more—and relate these to Latin American musics while refining their understanding of musical concepts and cultural-historical contexts.

With its brisk and engaging writing, this volume covers nearly fifty genres and. Experiencing Film Music: A Listener's Companion opens the ears of film-goers to the nuance behind movie music, laying out in simple, non-technical language how composers and directors map what we hear to what we see-and, not uncommonly, back again.

Using film music in the classroom. 1 Overview Experiencing film music. People hear and experience film music differently, and it is important to respect and explore this subjectivity.

No answer is wrong, but merely representative of different cultural perceptions. ‘All that I can say about my method in writing music for films is that it. Get this from a library. Experiencing film music: a listener's companion. [Kenneth LaFave] -- Of all the elements that combine to make movies, music sometimes seems the forgotten stepchild.

Yet it is an integral part of the cinematic experience. Minimized as mere "background music," film. "In Experiencing Film Music: A Listener’s Companion, Kenneth LaFave guides the reader through the history, ideas, personalities, and visions that have shaped the music we hear on the big screen.

Looking back to the music improvised for early silent movies, LaFave traces the development of the film score from such early epic masterpieces as.

Experiencing Film Music: A Listener's Companion opens the ears of film-goers to the nuance behind movie music, laying out in simple, non-technical language how composers and directors map what we hear to what we see—and, not uncommonly, back again.

Get this from a library. Experiencing film music: a listener's companion. [Kenneth LaFave] -- LaFave opens the ears of film-goers to the nuance behind movie music, laying out in layman's language how composers map what we hear to what we see.

As part of the Listener's Companion series, this. Experiencing Latin American Music draws on human experience as a point of departure for musical understanding.

Students explore broad topics—identity, the body, religion, and more—and relate these to Latin American musics while refining their understanding of musical concepts and cultural-historical : University of California Press.

In Experiencing Film Music: A Listener's Companion, Kenneth LaFave guides the reader through the history, ideas, personalities, and visions that have shaped the music we hear on the big screen. Experiencing Music Video: Aesthetics and Cultural Context of music video, because of the two genres’ apparently similar structuring of sound and image.

But by the criteria of film, music videos tend to come off as failed narratives; the genre’s effectiveness eludes explanation. This book focuses on particular aspects of music video.

Experiencing Film Music: A Listener's Companion opens the ears of film-goers to the nuance behind movie music, laying out in simple, non-technical language how composers and directors map what we hear to what we see-and, not uncommonly, back again.

(source: Nielsen Book Data). Kenneth LaFave’s Experiencing Film Music: A Listener’s Companion highlights the landmarks of Hollywood film-music history through the presentation of central figures, practices, and documentary accounts.

The musician and journalist LaFave has been active as a composer and commissioned both concert and stage works, as well serving as a music critic for local American : Nick Poulakis.

Here at last is a study that treats music video as a distinct multimedia artistic genre, different from film, television, and indeed from the songs they illuminate—and sell. Carol Vernallis describes how verbal, musical, and visual codes combine in music video to create defining representations of race, class, gender, sexuality, and performance.

*** Music in Korea is one of several case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world.

It sets the stage for an array of case-study volumes, each of which focuses on a single area of the. Book Description: Experiencing Latin American Musicdraws on human experience as a point of departure for musical ts explore broad topics-identity, the body, religion, and more-and relate these to Latin American musics while refining their understanding of musical concepts and cultural-historical contexts.

Music videos have ranged from simple tableaux of a band playing its instruments to multimillion dollar, high-concept extravaganzas. Born of a sudden expansion in new broadcast channels, music videos continue to exert an enormous influence on popular music.

They help to create an artist's identity, to affect a song's mood, to determine chart success: the music video has changed our idea of the 3/5(1).

One amazing thing about this book is that it really changes the way you look at music videos. The best parts have to be the ones in which Vernallis elucidates the differences between a music video and a movie because it makes you realize how many, quite specific, aspects of music videos are taken for granted, from their editing to the lack of a narrative/5.*** Music in Korea is one of several case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series.

Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world.EXPERIENCING FILM TOURISM: Authenticity & Fellowship.

Author links open overlay panel Anne It seems the familiarity with the overall myths is more important than an in-depth factual film or book knowledge and it is these myths that the tourists seek in the exotic setting of New Zealand.

(Mapping) the nation: Sound of music tourism and Cited by: